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Showing posts with label Senses of Tradition. Show all posts
Showing posts with label Senses of Tradition. Show all posts

Thursday, June 4, 2015

Haunted by the Holy Ghost

We live in post-gothic times.

Culture seems to shadow the shadows,  moving as a dark figure against a background of blurry darkness.

Everything is haunted by everything else. History haunts the present; the present haunts the future; the future haunts losses to come prefigured in the now. Things are lost and found in the luminous dark.

Hauntology is a word whose days are numbered, no doubt destined to become a ghost that haunts its haunts and itself. The tropes of spooky actions at a distance that spook the boredom of coffee spoons, books, and the past that falls out from old books onto the floors of the fleeting present, themselves hang on the clock of hackneyed figura. But for now, it spooks.

It spooks. So says the title of Caputo's recent magazine, It Spooks. I believe it does. Nowadays, everything is spectral. Even Caputo is haunted, not just by Derrida and hauntology, but 'from within.' How does one even begin to respond 'to an unheard call?' Without begging the question of 'response,' responding to something that gets itself heard, even if outside the senses, is couched in undecidability, the tension that makes binary oppositions oppositions in the first place.

In The Weakness of God Caputo offers an apology to confessional theologians for pointing out that their best work is a response to the ghosting of their texts. There is something waiting to be born in the texts of the Tradition, both biblical and post-biblical. Though I am not a theologian, I have discovered that I am a theological thinker, a person that lives a form of life open to the theological turn. That I am also Catholic seem often to be beside the point, but I am of a time and place, a quirk of history, and there is no getting around the tradition and discourse that has played an important part in shaping my consciousness.

Ghosting. I am actually thinking of the phenomenon of printed letters appearing to imperfect eyes. A blurring whose frame must be adjusted by a squint, a best squint. This experience is known to anyone whose had their eyes examined (what Chart, what "E"?). In any event, 'ghosting' is a useful metaphor here. Ghosting is not limited to what the eyes do when they confront a written text. It's about focus and focusing, about getting something to appear, even if a best squint cannot reduce all ghosts to clarity. It is about a process of reductions that allow vision to envision not only a clearing of the letter, but a focus on the ghost.

In a remarkable if not difficult work, Senses of Tradition (Oxford:NY, 2000), John E. Thiel presents a sound case for bringing the Tradition into focus in a post-structuralist version of allegoresis (non-unlike the premodern patristic exegesis that maddens the moderns). Thiel allows the Tradition to visit hermeneutics, and the clarity of dogma to take on a depth of a ghosting. Of course, he doesn't talk like that.

And I am not going to talk like Thiel here. I have suggested elsewhere in this blog, and fairly recently, of the givenness of the Tradition, of dogma. I have also commented on its plasticity. I am sympathetic to Thiel's instincts that such gifts are unconditional. And I accept biblical texts, patristic texts, magisterial texts (the tripartitie Catholic rule of faith) as unconditional gifts that call to be received,  calls unheard but calls insisting to be heard.

There is a reason for Catholicism's paroxysmal fear of the holy ghost. It fears it will leap out of the trinity and into a pneumatological life of its own, freeing up the rollers, shakers and quakers to speak in tongues that would drive St. Paul to put those scales right back on his eyeballs. We Catholics have something of a love-hate relation with the holy ghost: we really want the renewing of the face of the earth, but without the spooky stuff (I'm thinking of Robert De Niro doing his tongue rolling at the end of Cape Fear).

I am quite comfortable with my ghosted Catholicism, and I'm pretty OK with the holy ghost, too. Every sacred text must be blurred for the good stuff to happen, to appear. The reader might recall those computer-generated images that required the viewer to relax her eyes to allow an image to appear in "3-D." That is the physiological version of the phenomenological reduction. Nothing reductive informs this kind of reduction; there is nothing of "God is nothing more than the projection of the human," or "religion is nothing more that wishful thinking." The kind of reduction here has nothing to do with the last gasps of rigid modernity trying to dictate the parameters of what is real and true. This kind of reduction is more like a great chef transforming a liquid hodge-podge into a sublime sauce, a reduction, that brings an asparagus spear or a seared duck breast into focus. But I digress (and make myself a little hungry).

 Of course some of us will remain Mr. Pitt (Seinfeld), a little too eager to see but unable to get beyond the facial contortions that disfigure the apparatus and not the image.


You hide Your face, they are dismayed; You take away their spirit, they expire And return to their dust.You send forth Your Spirit, they are created; And You renew the face of the ground. Let the glory of the LORD endure forever; Let the LORD be glad in His works. [Psalm 104:29-31]



The holy ghost haunts sacred texts and imbues them with the uncanny ability to read the reader into bringing something into relief, something always there lurking, disponible, waiting to appear. The holy ghost is a spirit of integration and revelation. It blurs the letter, deepens it, and renews it from all the way down. Without the ghostly gesture, texts become dead letters, lost in a limbo without direction, without a hope of being received. Without the haunting apparitions that cause every letter to oscillate between its clarity and porosity, the letter is lost, collapsing into the dust in a valley of very dry bones.

The holy ghost is a spirit of freedom, of life, of movement. Letters, like dry bones, quicken with life and meaning in the presence of  the psalmist's "Spirit," and create a new space in a new face. The spooking that gets confessional theologians to read between the lines of dogma is the unheard call that gets itself called. Theologians attuned to the call write a new earth in the crevices of the letter. They free dogmatic concepts from their idolatry to resonate within the iconic gaze. Is this not what Aquinas did for his age, and Rahner for his? Is this not what Roger Haight, SJ, was about in his Jesus:Symbol of God? The Congregation of the Doctrine of Faith was certainly spooked! Haight's hermeneutics and his


 ...interpretation, however, does not in fact result in doctrinal proposals that convey the immutable meaning of the dogmas as understood by the faith of the Church, nor does it clarify their meaning, enhancing understanding. The Author's interpretation results instead in a reading that is not only different from but also contrary to the true meaning of the dogmas. [from the Notification]


Clearly Haight was haunted by dogmatic statements about the divinity of Christ, but so too was the CDF haunted by what divinity looks like when rewritten into a postmodern world. I wonder if Haight would have gone unnoticed if he had access to Marion's notions of saturated phenomena and the idol and icon. Certainly Jesus: Icon of God has its problems, but it might have saved us all from a very ugly scene in the life of the Church. but I digress again...

To say that I am comfortable with a haunted Catholicism does not imply a departure on my part from scripture, Tradition and the magisterium. I simply mean that to be Catholic is to be a Catholic at a given place and time and therefore recognize that eternal truths about God and Catholicism can never be written into any age as Absolute Truth. Sadly, simple confessional religion, with which Catholicism sometimes finds itself complicit, sometimes pulls the spirit from the letter, allowing things to turn to dust. That's a ghastly kind of ghosting. We need a complicated religion, a blurred, blurring, oscillating religion that shakes out the event from its letters. That kind of spectral Catholicism seems to me the very heart of a lived faith, a lived religion, a lived Catholicism.