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Showing posts with label Peter Rollins. Show all posts
Showing posts with label Peter Rollins. Show all posts

Friday, July 10, 2015

Hermeneutics: Here Comes Everybody

In his Conflict of Interpretations, Paul Ricoeur notes that the Tradition lives by the grace of interpretation. That understanding certainly has standing in theology, biblical hermeneutics and the handing down of the Church's self-understanding, its gift, to subsequent generations of receivers and hearers of the word. I place a good deal of credence in the relationship Ricoeur sees between interpretation and tradition, and I like to think I have respected it in the pages of this blog. Recently, this blog has examined dogma in relation to scripture, and how the entire Catholic rule of faith plays out in its own terms.


Grace of interpretation. I rather like that phrase. Grace has the uncanny and amazing ability to give sight to the blind. Or at least to permit a vision, a gaze upon events. All hermeneutics are heuristic; discovery itself drives interpretation to know something. Caputo's increasingly radical hermeneutics open upon the discovery of the self-disclosing 'call.' Marion's reduction to givenness opens upon the horizon where the locus of the self grounds its emergence and subjectivity. Levinas' 'face' calls subjectivity into otherwise than being, an ethics that obligates and orients a self to the other. Keller's apophatic entanglements resurrect Cusan and Augustinian docta ignorantia into an ever-expanding space of unsaying and unknowing where events can be called into existence.


Humphrey Chimpden Earwicker long ago heard it on the Liffey. Joyce is Everybody's bag of tricks, and the Wake sets up an attitude to what hermeneutics can do or be. It's no accident that in Glas Derrida begins mid-sentence and ends that way. Even his visuals capture something of the Wake's own pagination. Joyce and Derrida, whose situation mid-20th century make them the pranksters of Triskelion, move critics by their sheer acts of the will upon a shifting critical grid.


Peter Rollins has picked up a gauntlet of tradition in his response to Caputo's [non]critique of his work. Rollins is reconfiguring his concept of 'lack' and seems to conclude that lack, too, is all Vorstellung. Recently, both here and on Pete's blog I located lack in Marion's place of the self, his pure call, and Caputo's insistence motif. He seems to have liked that idea. 


Regardless of the tradition in question, a productive hermeneutics will always look to the flux of time between them. Readings are always already other readings, and the something they discover is beyond Vorstellung, an in the zone of the self. What is self-understanding if it is not what's going on in the place of  the self?

Tuesday, June 23, 2015

Peter Rollins' Lack of Being and Total Depravity

Pete Rollins recently blogged about one of his Belfast events in which John Caputo was a guest. I responded to Pete's discussion of 'depravity' ("In Defense of Total Depravity") in the terms he brilliantly laid out, most notably lack, subjectivity, desire, being. I am always struck by the term lack, as it is one of those high velocity terms that lurks beneath the surface of much of what interests me lately (this blog post is a tweaking of what I wrote on Pete's blog).

For Pete, and of course Lacan, lack defines the "incompleteness hard-baked into the very nature of human subjectivity (a lack formed in and by language)." Religion, then, recognizes that lack, and performs theology. Pete offers his 'pyrotheology' as the antidote (psychoanalysis?) to the religious maneuver when it attempts " to stop it up via some signifier." I am trying to read Pete's pyrotheology through the lens of the work of Caputo and Marion. 

Lack, then, is constitutive of the subject/being (being qua ens & esse) as the subject confronts the “loss” of immediacy: the loss of experiencing itself (as itself) and the world without language, which I construe as a fall into mediation. Such loss is inherent in the growth of consciousness, and therefore constitutive of it. In the play of the Real and the Symbolic, metaphysics enacts, in the Symbolic order, something actually going on in the ineffable Real.  I read 'incompleteness' and lack as loss, but loss as a space for something to enter, not merely consciousness, but of becoming---becoming, as Marion might say, 'gifted,' or as Caputo might say, opening upon a substrate for the 'call' from he knows not where.


If we take as axiomatic that the locus of the divine is the Real (Lacan), then all movements in the Symbolic (and Imaginary) order are analogical enactments that substitute for “lack” as they engage moments in the Real. These enactments in the Symbolic order of something occurring in the Real is what Pete calls the “the ground…of…religion.” I would add that it also grounds metaphysics and its gesture of analogy of being. This gesture is itself a response to a call (we can call it a 'pure call' to marry both Caputo's and Marion's call) from the Real itself, which insists upon its representation.


In Pete's pyrotheology and 'depravity,' religion provides a frame for lack to be "made manifest." It is this idea of manifesting that fascinates me. Far from foreclosing on lack, pyrotheology opens onto the very givenness of the Real itself. In this sense, Jean-Luc Marion’s 3rd phenomenological reduction to ‘givenness’ brushes up against Pete's pyrotheological opening, and instead of foreclosing on lack, discloses the formation of the subjectivity of self (a relation of metonymy, not identity).

Depravity, then, can be understood as a ‘deprivation’ of immediacy, that, unexpectedly, opens upon the horizon that situates givenness, presenting it to the intuition. When the intuition is ‘saturated,’ the ‘religious impulse’ becomes the response to Caputo’s ‘unheard call’, which commands the aim of intentionality. The shift from the immediate to the mediated that constitutes the appearance of the self, is the heart of sacramentality itself. The religious subject is thereby called into itself, “constituted” as Pete asserts, by lack, which is the distance between the Real, and everything else anterior to consciousness, the gifted, the human person fully alive.


If we suspend Caputo’s notion that his ‘call’ is reduced to one’s “mommy” in psychoanalysis, then it’s really not "depravity" that separates pyrotheology from Caputo’s theopoetics/insistence theology, but rather entangles them in the play in his ‘chiasm’ where Marion’s new phenomenology holds lack in tension between givenness and the emerging self. For Marion’s system, the relation between what is given and subjectivity precedes the individuation of the self. Hence, we can understand that lack, givenness, the Real are all anterior to the self coming into being.


The pyrotheological, phenomenological and theopoetical gestures share in the notion that relationality precedes being, and constitutes it as that which is anterior to it.